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Banco Santander Collection

Art

Exhibitions

Art

Educational Patronage

Art

Supporting Artistic Production

Art

Supporting Collectors

Art

Calls

Art

Partnerships

Art

 

Pájaro bebiendo agua [Bird Drinking Water] by Alberto, from the Banco Santander Collection

Banco Santander Collection

Comprising over a thousand works, the collection covers a period stretching from the third century BCE to the present day. Although its core content consists of paintings, the collection also contains major examples of other art forms, such as sculptures, drawings and decorative arts, as well as an extensive collection of notes and coins minted in Spain throughout the ages.

The Foundation is responsible for managing the Bank’s art collection, including preserving the contents, handling loans to other museums and institutions, and carrying out different initiatives to study and promote the collection. In 2021 we launched an audiovisual series entitled Vívela to highlight the links between the collection and other cultural areas (fashion, the performing arts, food, etc.) and with different topical issues (gender equality, sustainability, diversity, etc.). Last year we presented three new episodes dedicated to handicrafts, the attraction to unsettling things and memory featuring, respectively, Juana Acosta and Sonia Navarro, Joaquín Reyes and Costa Badía, and Mario Obrero and Sheila Blanco.

With a view to encouraging analysis and offering new perspectives of the collection, in 2022 we created the “Investiga Colección Banco Santander” programme, described later on in this report in the section on supporting artistic production.

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Exhibition of the Bank’s art collection at the Santander Art Gallery.

Exhibitions

Fundación Banco Santander sees art as an educational tool with an important social function.

Although the health crisis of recent years disrupted our exhibition programme, we continued to make every effort to play our role as cultural mediators, organising an exhibition of the Bank’s art collection at the Grupo Santander City gallery and contributing to the exhibition projects of other museums and institutions.

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A selection of artworks from the Banco Santander Collection is on permanent exhibition in the art gallery at Grupo Santander City. Access is free of charge and guided tours are available.

Visitors can view paintings by grand masters from the 16th century to the present day (El Greco, Zurbarán, Van Dyck, Sorolla, Picasso and Barceló). Particularly noteworthy are the spaces dedicated to the works that Sert created to decorate the Waldorf Astoria Hotel in New York and the group of paintings that chart the artistic career of Gutiérrez Solana.

As well as sculptures from the 15th, 17th and 18th centuries, the exhibition features magnificent pieces by major contemporary artists like Chirino, Alfaro, Chillida and Kapoor.

In 2021 we opened a new section dedicated to drawings by Nonell, Anglada Camarasa, Tàpies and Laffón, on public display for the first time.

The exhibition also features excellent pieces of decorative art, including several objects from the Alcora ceramic factory and a fascinating collection of coins and notes that begins in the third century BCE and ends with the peseta.

Santander Art Gallery, Boadilla del Monte (Madrid).

The Foundation and the Museo de Bellas Artes in Bilbao have been organising this exhibition programme since 2004 to provide visitors with the opportunity to explore works that complete the vision of art history offered by their respective collections.

Arnasa [Breath], on display from 23 March to 26 June 2022, was an installation created by the artist Maider López in 2020 as a commission by the two institutions. Visitors standing outside the building were able to see how the brightness of the light inside varied in keeping with the rhythm of the breath. A video installation showed the museum rooms “breathing” at the same slow, constant pace that the artworks and architectural elements appeared and disappeared.

From 28 September 2022 to 22 January 2023 we exhibited the sketches from the Musée Bonnat-Helleu in Bayonne that Rubens made during the time he was a painter at the Spanish court.  The set includes six mythological scenes, destined for Philip IV’s hunting lodge, and a religious scene commissioned by Infanta Isabel Clara Eugenia for the tapestry series at the Convent of Las Descalzas Reales in Madrid.

Museo de Bellas Artes, Bilbao.

 

Educational activity organised by the Museo Nacional Centro de Arte Reina Sofía.

Educational Patronage

Fundación Banco Santander es mecenas de la programación educativa del Museo Nacional Centro de Arte Reina Sofía y del Museu d’Art Contemporani de Barcelona.

Ambas instituciones promueven diversas actividades de formación con el objetivo de impulsar el conocimiento del arte contemporáneo en la sociedad y convertir al museo en un espacio de reflexión y debate abierto a la participación del público.

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The Foundation supports GIRA, the museum’s educational programme.

Mainly structured around schools, communities and mediation, GIRA also carries out cross-cutting projects that address lines of work common to other areas of the museum. The activities for students propose different ways of establishing connections between the school and the museum contents. Children, young people, families and the elderly are some of the communities for which specific projects are created, while the mediation project provides adult visitors with different formats for exploring the collection and the temporary exhibitions.

The Foundation also collaborates with the training and research initiatives related to art, society, the economy and contemporary politics carried out by the museum’s study centre.

The Foundation collaborates in the museum’s ongoing teacher training programme. The aim of this programme is to help teachers from different educational stages acquire the necessary knowledge about contemporary creation to promote artistic education in the classroom. All the initiatives encourage reflection, participation and dialogue between educators and artists.

The following activities took place in 2022: working groups on the MACBA Collection and “Ahora que aún tenemos cuerpo”; the courses “Jugando con la Colección MACBA” and “Narcisas insumisas. Asaltamos los espacios de representación”; the workshop “P2P. De igual a igual”; and the artists’ laboratory “Entre la acción y el objeto”.

 

Mayáutica en azul [Mayautics in Blue], created by Laura F. Gibellini for Derivada.

Supporting Artistic Production

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The Foundation launched this art creation, dissemination and research programme in 2018 to support the work of mid-career creators influenced by scientific theories.

For the fifth edition, the artist Laura F. Gibellini made an engraving entitled Mayáutica en azul by overlaying three images: a drawing of her daughter Maya, the imprint of sand on a copper plate and a diagram of the Pleiades star cluster. As the accompanying text by the writer, publisher, artist and teacher Thyrza Nichols Goodeve explains, the work expresses our connection to the cosmos.  

Mayáutica en azul was exhibited, along with the other works created by artists selected in this programme, at the Estampa fair held in Madrid from 13 to 16 October.

In collaboration with Open Studio, the Foundation awards this prize every year to young emerging artists.  The winner receives a stipend to produce work and undertake a three-month residency in an art studio in Madrid.

In its tenth edition, the jury decided unanimously to award the prize to Andrea Aguilera, whose works examines the relationship of the body with different rigid materials, mainly through the media of photography and performance. The artist will work at the Espositivo studio from 13 March to 13 June 2023. At the end of the residency, the result will be presented to professionals from the world of art and culture.

The winner of the previous edition, Irati Inoriza, presented the installation she made during her residency, entitled Un salar verde salitre sueña con on 30 June 2022 at the studio 35.000 Jóvenes.

The Fundación Banco Santander and the Spanish National Cancer Research Centre (CNIO) organise this initiative in which a contemporary artist draws inspiration from a scientist’s research work. All profits from the sale are used to fund cancer research at the CNIO.

The artist and scientist chosen for the fifth edition were the sculptor Susana Solano and the doctor and epidemiologist Pedro Alonso. The work, entitled El mundo de las cosas [The World of Things], emerged out of the artist’s experience at the hospital and biomedical research centre that Alonso funded in Manhiça (Mozambique) to fight the most common diseases in the region.

El mundo de las cosas was exhibited at the CNIO from 16 February to 31 March and at the contemporary art fair ARCOmadrid. The sculpture was accompanied by the drawings made by six girls from the Centro de Acolhimento Menino Jesus, based on their daily experience of malaria, and a video by the curator Amparo Garrido documenting the artist’s stay in Manhiça.

 

Contemporary art fair ARCOmadrid.

Promoción del coleccionismo

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Fundación Banco Santander has been sponsoring the First Collector programme at the contemporary art fair ARCOmadrid since 2011. Managed by the consulting firm Arte Global, it offers free advice to prospective art collectors. Through this service, first-time buyers can find pieces suited to their tastes and budgets assisted by a team with expert knowledge of the works available at the galleries present at the fair.

The Foundation is one of the sponsors of the Estampa contemporary art fair and some of the activities of its Colecciona programme.

From 27 January to 4 June we collaborated in the ninth edition of this seminar organised at various museums, art venues and historical spaces with the aim of disseminating the work of the main private art collectors and sponsors in Spain.

Additionally, from 13 to 16 October we supported Estampa’s “De la mano de un coleccionista” programme in collaboration with the 9915 Association, whereby a member of the association offers visitors a guided tour of selected galleries, explaining the reason for their choice.

As in the previous edition, the Foundation had its own space at the fair and mounted an exhibition of all the works made by the artists who took part in the Derivada programme.

The Foundation sponsored the ninth Collecting, Contemporary Art and Society seminar at the Menéndez Pelayo International University, organised by the 9915 Association and the Instituto de Arte Contemporáneo (IAC) at the Magdalena Palace in Santander.

From 18 to 20 July, a group of art and cultural management experts discussed the initiatives undertaken by museums to promote contemporary art. The course examined the role that these institutions play, not only in exhibiting and preserving their collections but in generating research projects and educational programmes, and in mediating between artists and society.

 

No hi són els ulls [The Eye’s Aren’t There], by Modest Cuixart, from the Banco Santander Collection

Calls

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In 2022 the Foundation launched the first edition of these research grants to promote a wider knowledge of the Banco Santander Collection from an innovative, cross-cutting perspective. The programme is aimed at individual researchers as well as collectives and not-for-profit organisations.

Candidates may address the study of the works in the collection from any discipline and adopt multiple formats (article, dossier, audiovisual, curatorial project, etc.) according to the content.

A committee made up of independent experts and representatives of Fundación Banco Santander selected the two winning proposals: Iconografías de los retos de futuro en las colecciones históricas del Banco Santander. Identidad de género, by María López Fernández; and Arte, lujo y magnificencia: la tapicería en la Colección Banco Santander, by Jesús Félix Pascual Molina and Miguel Ángel Zalama Rodríguez.

The winners received a grant to carry out their research project, which must be completed by May 2023.

The Foundation promoted this gender-sensitive publishing marathon to create new content on Wikipedia and mitigate the dearth of articles related to Cantabrian female artists.

The “edit-a-thon” took place on 26 November at the Work Café in Santander and brought together eleven volunteers from the cultural field. In collaboration with Wikiesfera, an information session was organised to highlight the importance of editors willing to help give more visibility to collectives with only a minimal presence on the free encyclopaedia site. This was followed by a practical workshop where participants learned how to use the tool. No previous knowledge was required and by the end of the day biographies had been written about the painter Luz de Alvear, the visual artist Vicky Uslé, the illustrator Paula Vallar, the film editor Sara Ontañón and the photographer María Gorbeña.

 

Prado Museum

Partnerships

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Fundación Banco Santander sponsors the Francisco Calvo Serraller lecture series organised by the Foundation of Friends of the Prado Museum to offer an overview of universal figures in the history of art.

In 2022 a group of experts analysed the life and work of Rubens in the historical, social and cultural context of the 16th century and his influence on Spanish painting.

Fundación Banco Santander is one of the corporate friends of the Museo Nacional Thyssen-Bornemisza. Together with other companies and institutions, it contributes to the conservation and dissemination of the museum’s artistic heritage and the development of its broad programme of activities (courses, lectures, workshops, guided tours, etc.).

The Foundation is one of the corporate sponsors that support Artium’s collection (crucial for understanding 20th-century artistic creation in the Basque Country) and the various initiatives the museum organises to publicise its contents.

The Foundation supports this independent association of art professionals whose mission is to assist the art community by enhancing the institutional network of contemporary creation and implementing best practices in the sector.

Fundación Banco Santander is an institutional member of this association created to defend the interests of private contemporary art collectors. The partnership facilitates the sharing of experiences, ideas and opinions with other members, as well as the organisation and dissemination of related activities.